Lunsford and Ede’s discussion on
women and collaboration was short albeit very enlightening. They bring up the
terms “hierarchical” and “dialogic” as types of collaboration. They describe dialogic collaboration as, “loosely
structured” and “roles enacted within it are fluid; one ‘person’ may occupy
multiple and shifting roles as the project progresses” (275). I as I read the
description I asked, what’s so wrong with that? It sounds like great way to
collaborate. Lunsford and Ede talked to two professional groups on how they viewed
collaboration and women were much more likely to describe a dialogic
collaboration. They therefore deem it the “other” and that it is “predominantly
feminine.” As for hierarchical, those who responded said they felt it that this
type of collaborative writing was “efficient and productive if sometimes
unsatisfying” and they called it “’the way things are’” (227). This brings up a
question we have already discussed in class before, but I think it begs more
attention, why do people shy away from dialogic collaboration? Why is it viewed
as not scholarly and not legitimate work? Lunsford and Ede clearly wanted
readers to take collaboration more seriously, and to take dialogic
collaboration as a legitimate writing strategy.
What really got my mind turning were
the examples on page 277 which showed the stand-by singular author construct is
what our minds are stuck on. I found myself outraged and even writing “WTF!?”
in the margin next to the stories. These anecdotes were ridiculous, they were
punishing collaboration as if it were illegal or immoral. The first one,
regarding the poem written by three students, did not make sense; you would
think out of all the departments at a university, an English department would
respect the concept of collaboration. If the three students each wrote their
own poems, would they have been as good as the one they wrote together? What if
each person brought different things to the poem that made it so great that
caused them to win the contest?
Lunsford and Ede also bring women
writers in the discussion, mentioning that women writers are more likely to
write collaboratively. In a patriarchal society, women writing collaboratively
must look like they need “help” to write. Other than that, I cannot give an
explanation as to why women are called “writers” and not authors and
collaborative writing is seen as less authorial.
Questions:
Is
collaborative writing considered lesser than individually written texts because
women prefer it? Is there a stigma attached to collaborative writing that makes
it undesirable?
In what
ways could collaborative authors help to make this type of writing to be
considered more valuable?
1 comment:
And what do you make of the associations most populated by women collaborating least? Does that confound even your notion that this is a practice done by women?
Further, the humanities is one of the last bastions of single authorship in higher education. Most other fields feature collaborative authorship (think about science and labs, for instance).
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