Woodmansee—On the Author Effect I
Martha Woodmansee in her essay titled “On the Author Effect:
Recovering Collectivity” the idea of the author is discussed as a concept that
is not solitary, even though popular culture has defined it as such, but is in
fact collaborative. Woodmanse asserts that the concept of the author does not
reflect the modern writing process. As mentioned in the introduction, writing
today is collaborative and was described as such by the research of Andrea
Lunsford and Lisa Ede in their study regarding the writing processes and practices
of composition students. Regardless, the singular notion of the author has
become prevalent and a common teaching tool in a writing classroom where many
of us teach writing as a solitary activity and where students sometimes only
use sources as a way to back up arguments instead of creating a conversation
with those source materials.
Woodmansee determined through her research on the author
effect that in the past authors were seen as just one of the craftsman of many
in the construction of a book. At the same time, the writer was considered a
specialized craftsman because he or she had composed that material. For
example, in at 1815 essay that Woodmansee quotes from, it was determined that a
author held some mysterious genius, which I would argue is still a common myth
held by some of my students today. Just like there is one answer for a work of
literature, which is an idea that comes out of New Criticism, an author is
simply a born writer. One did not learn to write well, instead that person,
that author, was born with that special ability as if a higher being had
designed that person in such way. I always have to show how incorrect this myth
is to my students and promote the idea that good writing comes from practice,
good reading, and even more practice in writing.
To better illustrate how writing is and always has been
collaborative, Woodmansee turns to the work of Samuel Johnson, a prolific
writer himself, but one who often wrote for others. Woodmansee remarks how
Johnson’s collaboration with others served as a motivating factor for him
writing. It seems as if that Johnson would not have been as prolific of a
writer if not for the fact he wrote sermons and other genres for others to
purchase from him. After the writing had been purchased, Johnson considered
himself as having no rights to that writing. But even with his behind the
scenes collaboration, Johnson also did help to create the myth of the singular
author into existence.
This discussion reminded me of an article I had read in The Chronicle about two years ago or so where
an individual had written an article about how he worked for a company that
sold ready made essays to students. (You can read the article here: http://chronicle.com/article/The-Shadow-Scholar/125329/
) Johnson’s practices seem somewhat familiar to what that individual had
discussed in his expose of the essay selling business in the sense each gave up
his authorial rights for profit and considered it an exchange of goods. Furthermore,
the internet has changed our conception of the author through things like
hypertext and twitter where a number of individuals are creating and responding
to a piece of writing. Thus, writing remains and will continue to remain a
heavily collaborative activity.
Questions:
The idea of Johnson’s collaboration with others as a
“motivating” factor of his writing was intriguing to me. So my question is that
do you think that students are more motivated if they work on a piece of
writing collaboratively as opposed to alone? Even as someone who would rather
work alone, I do believe there is some truth in collaboration creates more
motivation.
Bolter (qtd in Woodmansee on page 25) calls the notion of
copyright in a digital age “absurd.” Do you agree or disagree and why? For
instance, electronic communication blurs the boundaries of what is mine or
yours through things like hyptertext and comments to articles and videos.
To continue with this question, I also notice that students
are sometimes more interested in comments to articles than they are interested
in the articles themselves, which is an interesting activity, I think, and
perhaps the comments help students feel more engaged with the article since
they can see similar opinions (or different ones) being shared. Do you think
that the commenting function on many websites helps “motivate” students to
critique, write, and share ideas?
Going back to the idea of motivation and collaboration, do
you feel that incorporating more collaborative writing curb instances of
plagiarism? Or have you done a lot of collaborative assignments in the
classroom and noticed how it has curbed plagiarism, whether intentional or
unintentional?
1 comment:
I just wanted to say thanks for leading us off this semester, Jessica! I think the issue of the ghostwriting paper authors is a rich and interesting one, and is in some ways in the tradition of the Victorian "scribblers," those writers who wrote for pay (instead of for high status) and were therefore looked down upon.
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